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Live Music to Return to Paddy's

Slammed with licenses fees from performing rights organizations, the local coffee shop discontinued live performances earlier this year

After months of silence, Paddy’s Coffee House is bringing back the noise.

Among the few free local venues for live music, the coffee shop was one of several in the East Bay hit earlier this year with licensing fees from performing rights organizations — agencies that collect royalties on behalf of artists from venues where copyrighted music is performed or played.

Unable to pay the fees, coffee shop proprietor Paddy Iyer discontinued live music in March after providing local talent with a stage for more than eight years.

But over the weekend, Iyer announced on his blog that “enough is enough”

“What we failed to grasp was the gravity of our decision,” Iyer wrote on his blog. “Venues for the youth simply dried up or shut their doors because of the fear of lawsuits and what have you from the music industry. Almost all the cafes and coffee houses in the local area simply stopped hosting musicians and open mics.”

With the support of the community, live music will soon return to Paddy’s to once again fill that void.

Local artists are banding together for the Paddy's Pay the Music Industry Fundraiser Open Mic, which will be held at a yet unannounced date to help pay the business’ licensing fees.

The whole ordeal began late last year when multiple performing rights groups began asking the business to pay licensing fees.

Iyer was already paying Broadcast Music, Inc. a $350 annual fee when the American Society of Composers, Authors and Publishers told him that he owed them money as well.

In March, ASCAP threatened legal action if Iyer did not pay up or stop the music. In order to pay ASCAP, he would have to charge admission or a rental fee for the space, which were both out of question for Iyer and against his open-door philosophy, he said. As a result, he was forced to stop all live musical performances.

After six months without live music and a growing demand from the community, Iyer decided to host an open mic last month limited to original material only. But ASCAP again ordered a cease and desist because there was no guarantee that copyrighted songs would not be performed, he said. The show was cancelled.

That’s when Iyer drew the line.

“Our philosophy is, was and will always be to support the neighborhood. And here we were, cancelling an event,” he said.

Frustrated with the situation, Iyer contacted performers to see if they would be interested in holding a fundraiser.

“The response was phenomenal and, truthfully, we were extremely emotional at the outpouring of support,” he said. “We are glad to put this issue behind us.”

For updates on Paddy's Pay the Music Industry Fundraiser Open Mic, visit the Paddy’s Coffee House blog. Read more about Iyer’s decision to bring back live music here.

Related Topics: ASCAP, Fundraisers, Live Music, Music Licensing Fees, Paddy's Coffee House, and bmi

Joan

8:00 am on Tuesday, October 11, 2011

Why can't Paddy's specify that only original music be played and then there won't be any licensing issues? While I understand the ownership rights, it seems petty for an open mic in a small restaurant in a small town to be hassled for this.

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Zoneil Maharaj

11:06 am on Tuesday, October 11, 2011

Paddy's tried to host such an event last month but was again asked by ASCAP to pay or cancel the show. ASCAP's reasoning was that there was way to guarantee that copyrighted music would not be performed.

Timothy Swenson

11:30 am on Tuesday, October 11, 2011

ASCAP needs to realize that it does not represent every single copyright holder of music. But, they are the 800 lb gorilla that no one wants to fight. I don't mind copyright holders enforcing their copyright, but when someone tried to enforce copyright on something they don't own, then that gets my dander up.

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Arvin V

2:20 pm on Tuesday, October 11, 2011

I understand the whole deal of copyright material but keep in mind these are our local businesses trying to provide a venue for folks young and old a place they can express and showcase their talent. What portion of these fees for the ASCAP actually go to artists and composers and not just line the pockets of the bureaucracy.

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